Synopsis

Show
Town Mouse and Country Mouse
Dates
November to February
Runtime
50 minutes approx
Director
Tina Williams
Designer
Catherine Chapman
Suitable for ages 3+ and their families
Town Mouse and Country Mouse
Join two friends as they embark on an amazing journey and discover that sometimes new can be exciting, and different can be good!

An enchanting story from Aesop's much loved and heart warming tale told with puppetry, music and magical design, for ages 3+ and their families.
Emily Chattle
Emily Chattle
The Country Mouse

Emily is an actor and singer based in York. She trained with Both Feet Actor Training and Clown Space.

Most of Emily’s work revolves around children's theatre, championing young voices and bringing theatre to different communities.

She’s very excited to bring the wonderful story of Town Mouse and Country Mouse to life with Pied Piper. Most recent credits include: Farmer Scrooge's Christmas Carol (Badapple Theatre), Burglar Bill (Pied Piper Theatre), Green Shoots (York Theatre Royal), Around the World in 80 Days (Rusticus Arts).

Stefan Stuart
Stefan Stuart
The Town Mouse

Stefan is super excited to be working with Pied Piper again, having previously appeared in 'Can Bears Ski?', ‘Hare & Tortoise’ and in 'Town Mouse & Country Mouse’ in the UK, Europe and Singapore.

In addition to being an actor, Stefan teaches acting and creative writing to children in the UK, US and China, inspiring children to explore their creativity.

Nick Ash
Nick Ash
Ensemble & Stage Manager

Nick acts, stage manages and creates sets and puppets. He has his own production company scratchbuiltproductions.com which has been making theatre since 2006 and is an Associate Company of Proteus in Basingstoke.

Nick has been making puppets and acting with Pied Piper for several years and helped to create a new strand of work for babies and young toddlers ‘DIG!’ And ‘BEACH’. He made the puppets for the popular ’Sarah & Duck’ tour from the television series, for ’Snowflakes’ at Oxford Playhouse and for ‘Gorilla’ at Polka Theatre.

Tina Williams
Tina Williams
Director

Tina Williams is the Artistic Director of Pied Piper Theatre Company, which she set up in 1984 having trained as both an actor and a teacher.

Tina has written, adapted, directed and produced over twenty five plays for the company including a large scale national tour of Anne Fine's 'The Book of the Banshee', and 'A Little Princess' involving eight actors and eight young people.

Tina’s original plays have had four residencies at The Fortune Theatre in London’s West End. Her most recent titles include ‘My BIG Little sister’, 'Robin’s Winter Adventure’, The Big ENORMOUS Present’ and ‘Zoom' which she co-wrote with Nicola Sangster, alongside ‘DIG!’ Pied Piper’s first play for babies and young toddlers.

Tina was head of Youth and Education at The Yvonne Arnaud Theatre in Guildford for fourteen years and toured nationally with YAT. Her plays have been performed in Europe and in Singapore. She has also directed ’Snowflakes’ for Oxford Playhouse.

This year brings a very special collaboration with Paula Garfield, the Artistic Director of Deafinitely Theatre to create ‘Can Bears Ski?’ for both a hearing and deaf audience.

For more details about Tina's work visit  'About Us'.

Catherine Chapman
Catherine Chapman
Designer

Catherine's design credits include:

Princess and Pea (Tutti Frutti), The Fever Chart (Pilot Theatre), The Diver (Soho Theatre and Setagaya Public Theatre, Tokyo), Fly in the Ointment, Cover her Feet (Stephen Joseph Theatre), King Arthur, As You Like It, The Crucible (costume design), Wind In The Willows, Coram Boy, 1984, Keys to the Kingdom, Bouncers, September in the Rain, The Trial, The Hunchback of Notre Dame (York Theatre Royal). 

For Pied Piper:

Can Bears Ski?, Star in the Jar, The BIG Enormous Present, Zoom!, Burglar Bill, Robin’s Winter Adventure, and Hare and Tortoise.

Catherine Chapman
Catherine Chapman
Designer

Catherine trained in Theatre Design at Nottingham Trent University.

Theatre production designs include: Princess and Pea (Tutti Frutti), Wind In The Willows (York Theatre Royal), The Fever Chart (Pilot Theatre), The Diver (Soho Theatre and Setagaya Public Theatre, Tokyo), Fly in the Ointment, Cover her Feet (Stephen Joseph Theatre), King Arthur, As You Like It, The Crucible (costume design), Wind In The Willows, Coram Boy, 1984, Keys to the Kingdom, Bouncers, September in the Rain, The Trial, The Hunchback of Notre Dame(York Theatre Royal), Rapunzel, Hare and Tortoise, The Girl who Lost her Smile (Tutti Frutti), The Feathered Ogre, Jack and the Beanstalk, Madame Butterfly (English Touring Opera Education).

Film work includes: The Knife that Killed Me.

For Pied Piper Theatre Company: Can Bears Ski?, Star in the Jar, The BIG Enormous Present, Zoom!, Burglar Bill, Robin’s Winter Adventure, and Hare and Tortoise.

Catherine works extensively with young people including youth theatre, community projects and working as an artist in schools.

Nicola Sangster
Nicola Sangster
Associate Director

Nicola Sangster is the freelance Associate Director for Pied Piper, where she has worked with Tina since 2005.

She has worked on all aspects of productions from writing, directing and dramaturgy - to production and casting.

Nicola studied Drama and English Literature at Royal Holloway, where she gained directing experience and her playwriting training led her to be part of The Royal Court's Invitation Group. 

She then trained as an actor at Birmingham School of Acting. As an actor she has worked with many companies including the BBC, Shakespeare's Globe and the National Theatre.

For Pied Piper Nicola was part of the original UK and Singapore casts of Laura's Star.

In 2007, for Pied Piper, Nicola directed 'The Lighthouse Keeper's Lunch', having co-written the adaptation with Tina. This production celebrated 30 years of the book...

...in 2017 she created a brand new production of 'The Lighthouse Keeper's Lunch' along with Gareth Cooper; writing new songs and devising a new script and production, with the help of director Gemma Colclough. This time to celebrate 40 years!

Nicola is particularly interested in work for babies and early years, and in making this work accessible. She has experience working with neurodiverse children, and those with speech and language delays and this is increasingly informing her work.

For Pied Piper Nicola co-created 'DIG!' and 'BEACH' with Tina and Nick, Pied Piper's first ever plays for babies and toddlers.

In 2021 she made 'Snow' with Tiny Light Theatre - a new play for under 5's in co-production with The Mill at Banbury and Chipping Norton Theatre. 'Snow' was artsdepot's 0-5 show for Christmas 2022.

Nicola loves writing, music, and singing, and plays the cello and the piano.

Angela Gasparetto
Angela Gasparetto
Movement

Movement Direction credits include: Macbeth (Chichester Festival Theatre); It Is So Ordered (The Pleasance); Bunny (White Bear); Wish List (Royal Exchange & Royal Court); Redefining Juliet (Barbican); See Bob Run (Bread & Roses); Sizwe Banzi is Dead (Young Vic and UK Tour); Love is Easy (music video; McFly); A Midsummer Night’s Dream (Custom/Practice); The Kitchen (Fourth Monkey); Faith, Hope & Charity (Southwark Playhouse); Emma Thompson Presents: Fair Trade (Shatterbox - Latitude, Rich Mix).

Direction Credits include: Jon Udry Punches Gravity in the Face (Jon Udry); Life on Wheels (Bella Kinetica); Rapunzel (Fourth Monkey).

Angela teaches at RADA. Most recently Angela has directed the movement in Frankenstein for The Royal Exchange, Manchester.

Julian Butler
Julian Butler
Music

Julian is an associate artist of Pied Piper Theatre Company. As well as music for Pied Piper he has composed music for lots of theatre shows for children and young people, including Charlie and Lola's Best Bestest Play, Charlie and Lola's Extremely New Play and Gorilla (Polka Theatre, directed by Roman Stefanski), Up and Down (GaGa Theatre Company), The Paper Washi Wish and Little Sunshine, Little Rainfall (A Thousand Cranes Theatre), and A Christmas Carol (Lakeside Arts, Nottingham). He has written several musicals for young people including Beauty and the Beast, Red Riding Hood and Flat Stanley(with Mike Kenny, Engine House Theatre) and Run! A Sports Day Musical (with Lisa Evans, Polka Theatre).

Most recently Julian has adapted The Everywhere Bear for the Polka Theatre and on tour.

Hare & Tortoise "a show full of warmth and charm" - The Stage
★★★★

There are currently no reviews of Town Mouse and Country Mouse, but here's a review from a previous production...

Following the success of Pied Piper Theatre’s Burglar Bill last year, this new two hander for very young children follows a similar format. There is little dialogue in Hare and Tortoise, lots of physicality and gentle joking, a neat narrative shape and some catchy songs. And it all sits very happily in the Yvonne Arnaud’s child-friendly studio space.

Catherine Chapman’s designs – flowers, snow, carrots, russet leaves, and more – underpin the seasonal progression, once Tortoise has emerged from hibernation and we await the famous race.

Ebony Feare is a deliciously charismatic tortoise, languorous with an impressive range of reptilian faces and stances and a resonant singing voice. Stefan Stuart’s ever impatient hare, more boyish than leporine, makes for an appropriately lively contrast despite his weaker singing voice.

Tuneful songs and accompanying music range from folk to Mozart, with lots of violin and piano in the backing; the show makes entertaining live use of Feare’s steel pan skills too.

Like most of Tina Williams’ work for the company she founded 30 years ago, Hare and Tortoise is a show full of warmth and charm, which at the opening performance had the school party of five and six year olds, which constituted most of the audience, engaged, gasping and laughing.

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Illustrated Story - Town Mouse and Country Mouse
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A Picture for you to colour!
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Audio Storybook - Town Mouse and Country Mouse
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